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Maria Angela Ardinghelli (1730–1825) was an Italian translator, mathematician, physicist and noble, mostly known as the Italian translator of the works of Stephen Hales, a Newtonian physiologist. She translated two of his works; ''Haemastaticks'' and ''Vegetable Staticks''. Aside from Ardinghelli’s historical invisibility, she managed to remain relevant without being shunned into social isolation or derision by sharing her works with specific audiences. ==Background== Maria Angela Ardinghelli was born in Naples (Kingdom of Naples) into a noble family of Florentine origin. Having lost her brother during their childhood, Maria Angela thus became an only child. Her father turned to educating her, and by the age of fourteen she was fluent in Latin. She studied philosophy and physical-mathematical sciences under the physicist and mathematician Pietro Della Torre and Vito Caravelli. She also studied English and French. Ardinghelli was neither an aristocrat nor a member of ascendant middle class. Her family was from Florence, described as ''“one of the most distinguished and ancient of Italy”'', in the sixteenth century. When the Medici family climbed into power in Tuscany the Ardinghelli family fled Tuscany for Naples. As was obligatory for the aristocratic women of the time, Maria Angela was a literate poet and Latinist, as well as expert of mathematical physics. She belonged to the circle of the prince of Tarsia, founded in 1747, which, in intellectual circles in Naples, had the strongest association to Newton, experimental physics and electricity. The library and the laboratory of Tarsia was to be of much use to her. Ardinghelli never wanted to leave Naples. She made it clear that she would never leave her family, rejecting marriage with French architect Julien Leroy and the possibility of becoming the scientific tutor to the royal princesses at Versailles. She stayed in Naples where she hosted many ''conversazioni'' as meeting points for traveling naturalist and corresponding with the Paris Academy of Science. Maria Angela Ardinghelli had acted as an informal correspondent for the Paris Academy of Sciences. She had connected the scientific communities of Naples and France. When Maria Angela reached the apex of her popularity she devised a few strategies to maintain her anonymity, which she succeeded at. In spite of Ardinghelli's historical invisibility, she selectively chose from her works what she wanted visible to specific audiences in order to protect herself form social isolation. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Maria Angela Ardinghelli」の詳細全文を読む スポンサード リンク
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